DRAWING IS THE BASIS OF MY WHOLE PRACTICE, EXTENDING TOWARDS PERFORMANCE, INTERACTIVE SITUATIONS, INSTALLATION, SOUND AND FILM; I REFER TO IT AS CROSS-DISCIPLINARY DRAWING. I DRAW MY ENVIRONMENT AS I SEE IT, IN REAL TIME – TRACING AND RE-TRACING THE VISIBLE. I ONLY DRAW WHAT I SEE. SEEING, THE ACT OF DRAWING AND THE DRAWING ITSELF ARE EVIDENCE NOT ONLY THAT I EXIST, BUT ALSO THAT I EXIST IN THE PRESENT MOMENT. I NEVER DRAW FROM IMAGINATION. THE IMMATERIAL (ENERGY AND TIME) ARE CONVERTED INTO THE MATERIAL (PIGMENT FORMS LINE). 

EVERY SINGLE GLANCE PRODUCES A DRAWN SHAPE. EVERY DRAWN SHAPE BOTH EMBODIES AND DOCUMENTS CORPOREAL EXISTENCE. USING KNOWLEDGE, EXPERIENCE AND CHARACTER, ALL SENSORY INFORMATION THAT ENTERS THE BRAIN AND THE MIND IS ‘REMADE’, IS ‘INTERPRETED’, IS ‘ENCODED’; THE MIND CONSTRUCTS AN IMAGE OF THE WORLD OUTSIDE THE BODY IN ORDER TO UNDERSTAND, TO PROVIDE A BASIS FOR RESPONSE AND TO CREATE. ALSO, ALL MODES OF COMMUNICATION BETWEEN INDIVIDUALS OR GROUPS OF INDIVIDUALS THAT ENTER THE BRAIN AND THE MIND IS ‘REMADE’, IS ‘INTERPRETED’, IS ‘ENCODED’. DRAWING IS A MODE OF COMMUNICATION LIKE LANGUAGE. DRAWING IS A LANGUAGE. LIKE LANGUAGE, DRAWING IS A CODE.